Richard Duquette
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Technic and logistic for Film cinematographic project
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PRODUCTION EQUIPMENT

Technic and logistic for cinematographic project.

Cinematography | Post-production | Lighting | Gripping | Transport

To support productions which I am called to participate, in addition to a great experience, I have a significant amount of production equipment, from camera to the department post-production through lighting and various media.

ACCURACY IN THE PICTURE

IMAGE QUALITY, CALIBRATION AND RECORDING

The best way to reduce costs in post-production it’s to do things right during production.

Camera equipment

SONY | RED | ARRI | NIKON | CANON | GOPRO

Registration and image calibration

External recording system. Image not compressed to full capacity during the post-production online calibration

All these equipment have only purpose is to allow better control of light, to actually be able to paint with light.

Filtration

Using standard or advanced filter for better control of light and perspective when recording.

  • Neutral density filter
  • Color correction
  • Diopter filter

SONY F3

Joining the F35 and SRW-9000PL in Sony’s lineup of CineAlta 24p digital cinema cameras, the PMW-F3L Super 35mm XDCAM EX Full-HD Compact Camcorder with S-Log Gamma continues the democratization of high-end image capture. The camera’s Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger “full-frame” sensor found in some DSLRs, the PMW-F3’s chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.

NIKON D800

Ultimate Image Quality. Full Cinematic Experience.

GOPRO

Be a Hero

From incredibly versatile, powerful cameras, to mounts and accessories for nearly any activity, to the GoPro App and software—GoPro makes it easier than ever to capture and share your world like never before.

CANON C100

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon’s updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

SONY EX3

The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable.

Zeiss Compact Prime

One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right.

Nikkor Lenses

Every photographer is unique. Whatever your ideas or creative vision requires of you, there is a NIKKOR lens to draw out the potential of that imagination and make it real.

TELEPROMPTER

Because the speaker does not need to look down to consult written notes, he appears to have memorized the speech or to be speaking spontaneously, looking directly into the camera lens. Cue cards, on the other hand, are always placed away from the lens axis, making the speaker look at a point beside the camera, which leaves an impression of distraction.

TIFFEN

Schneider Optics

SEKONIK

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PIX 240 SoundDevices

The portable PIX 240i is an essential companion for any production environment. It simplifies any production and post-production environment bringing edit-ready Apple ProRes or Avid DNxHD recording to SD/HD-SDI or HDMI-equipped video cameras.

Atamos Ninja 2

RECORD FROM ANY HDMI DEVICE

Open up Apple ProRes and Avid DNxHD post production quality to thousands of devices (cameras, projectors, tablets, phones, game consoles, medical and industrial equipment).

Gravity ONE

The Gravity One is a two axis gimbal camera support. It’s built entirely in highest grade aluminium which makes it very light and extremly strong. The main purpose for the Gravity One is to simplify camera handling when working with a body mount such as the Easyrig. It also simplifies handheld camera work and greatly reduces motion artefacts and unwanted motion in shots where the photographer is walking or running.

LIGHTING AND LIGHTNING CONTROL

High quality lighting equipment answering practically all the situations.

  • Joker Bug
  • Dedolight
  • ArriLight LED (For precise control at the level like faces lighting and other sensitive situations)
  • China balls and pancake of miscellaneous sizes  14 inches to the the 5K Balloon
  • Light LED in strip tested and stable for camera high speed (Phantom 800 frames/second )
  • Tungsten lamp

In addition to this lightings equipment , is added a large stock of connections, extensions cords, dimmer, Rags (Overhead fabric).

  • Panoplie de cadre 4X4
  • Scrim set 24″ X 36″
  • Scrim set 18″ X 24″
  • Rags 8X8
  • Rags 8X12
  • Rags 12X12
  • Large quantity of Reflector and diffusers

JokerBug 800

Jokerbug 800w HMI head w/ PAR reflector beamer kit. High output HMI light, equivilant to 4x the output of similar wattage tungstens. Simple and easy to use.

Maverick by Cineo lighting

Cineo Maverick™ is the long-awaited portable member the family from Cineo Lighting. This evolutionary fixture provides all of the benefits of Remote Phosphor Technology found in the TruColor HS™ and LS™, while better meeting the demands of field use: lightweight, DC powered and weatherproof. Cineo Maverick delivers a volume of light equal to a traditional 1K soft source, optimized for image capture as well as other applications that demand accurate color rendering.

PAX Light LED par ARRI

ARRI Lighting Kit

The ARRI Fresnel series is ideal for portable applications where compact but robust, lightweight tungsten Fresnel spotlights are required.

Chimera Triolet

Chimera has engineered 3 unique lights that are simple, efficient and convenient for use in Chimera Lightbanks.

Overheads & Butterflys

ÊTRE PLUS PRODUCTIF.

Optimisation du pipeline de production, intégrer les ressources du département caméra jusqu’à la post-production

For fiction projects such as feature films, I can make available production technology solution more efficient in order to maximize the time between recording RUSHs, until delivery to the editor.

Be more productive is to offer a turnkey be able to ensure quality production beyond current standards.

  • Ordinateur pouvant gérer en temps réel Des rush 6K RED, une solution de gestion des données numérique avec sauvegarde sur RAID5 de 40 To interne a l’ordinateur.
  • Création des looks pré-tournage et suivie de qualité lors de la production
  • Gestion des données numériques de la réception des RUSH à l’enregistrement LTO
  • Application des LUT’s et render pour dailies (Davinci resolve) ou Offline editor (Avid..)
  • Synchronisation Images/son dans AVID et création des Bins pour montage
  • exportation des Dailies en nuage pour visionnement
  • Envois des Rush pour sauvegarde LTO
  • Systeme PC et MAC

Les rendements peuvent varier selon le taux  de compression appliqué à l’enregistrement ex: RED 5:1 versus 8:1

Gripping Equipment

C-STAND | HOLLYWOOD COMBO | LOW BOY JUNIOR | 4.5″ GRIP HEAD | STEP LADDER

Gripping Equipment

C-STAND | HOLLYWOOD COMBO | LOW BOY JUNIOR | 4.5″ GRIP HEAD | STEP LADDER

Maybe that the series of terms evoked higher tells you nothing, but for the cinema professionals , TV or advertising they are common equipments and very useful.

TRANSPORT AND LOGISTICS

Vehicle and trailer equipment for all types of situations.

Production equipment, television series King Of The River, summer 2014 on the Quebec North Shore
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ARRI | MATTHEWS | ZEISS | AVENGER | CHIMERA | SONY | RED | NIKON | DEDOLIGHT